An icebreaker
As the tradition holds her, Kali is a Hindu goddess of destruction and fierce protection, given major scriptural form in a text from around the 6th century. Since then, devotional poets and mystics have sung to her not as terror, but as a mother.
In songs addressed directly to the goddess, he wrote of her with intimate complaint and longing, addressing her as mother even amid her fearsome imagery, establishing a devotional voice still sung in Bengal today.
As a priest at the Dakshineswar temple, he described experiencing the goddess as a living, responsive presence rather than a carved image, an intensity of devotion that drew students and later shaped a wider movement.
In his study of Kali's mythology, he examined how her terrifying and sublime aspects sit together in Hindu tradition, arguing her darker imagery reflects deep, deliberate theology rather than simple horror.
In her study of centuries of Bengali songs to the goddess, she traced how poets from Ramprasad onward transformed Kali's fearsome image into an intimate maternal figure addressed in deeply personal devotional verse.