An icebreaker
An American artist who described lifelong experiences of perceiving distant places became central to a government-funded research protocol, coining the term 'remote viewing' in 1971. Skeptics found cues in the early SRI experiments that could explain results without anything paranormal.
Working with SRI researchers from 1972 onward, he maintained that his perceptual experiences reflected a trainable skill rather than a rare gift, and helped design staged methods meant to let ordinary people be trained to describe hidden targets.
Co-leading the research program he joined, Puthoff credited Swann's early sessions and design input as central to developing the structured protocol the lab used for its remote-viewing experiments through the 1970s and 1980s.
Publishing a critique with a colleague in 1978, he argued that transcripts from the early SRI remote-viewing experiments contained cues that could let judges match descriptions to targets, accounting for apparent accuracy without anything paranormal.